Pride and Prejedice – BBC production

“A good text not only reflects society, but also challenges its way of considering.” How accurate is this statement?

A wonderful text can be defined as 1 that our civilization deems important- a text that not only portrays the workings of society, but also defies existing constructs of the instances and encourages progression in society’s attitudes towards relevant difficulties. Such a text is Simon Langton’s 1995 production of Pride and Prejudice. By means of the characterisation of the most important character Lizzie, Langton challenges viewer’s opinions by employing financial, philosophical and religious paradigms to portray Nineteenth Century English Society.

The social structure of 19th Century England encompassed the fundamental social class technique whereby different social classes could be distinguished by inequalities in regions such as energy, authority, wealth, education, religion and culture. Langton successfully portrays this society by means of elaborate sets and costuming as nicely as strong characterisation. By way of the characterisation of Lizzie as a sturdy willed, independent young woman of her time, Langton is capable to question the values and beliefs held at that time. He uses powerful dialogue and an actor with a confident and daring exterior and clothes her in mostly casual clothes to portray a character that is relaxed and comfy with oneself and one’s moral fibre. This individual has a heightened understanding of the current institutions, and does not merely accept the constraints forced upon her, as numerous in her position did, but utilizes her personal judgement to establish for herself her personal set of values and approaches of behaving.

The economic paradigm is explored and examined by Langton in Pride and Prejudice in a incredibly direct manner, illustrating to viewers the scenario faced by English Society in the 1800s. Langton establishes clear class differentiations via extreme contrasts in costuming, props and elaborate sets. Sharp and direct dialogue coupled with practically awkward camera angles total the pictures, which Langton then delivers to viewers- an apparent distinction among the different class groups.

The financial predicament faced by the Bennet Loved ones is one of desperation and urgency. Though all members of the Bennet family members had been aware of this, Lizzie was unwilling to compromise her happiness for monetary comfort in life- a way of considering pretty ahead of her time. She demonstrates this via her actions by standing up for what she believes in. Lizzie’s refusal of two marriage proposals from two fairly distinguished and respectable guys who would assure her monetary…

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