Frontline
The term ‘truth’ is defined as the unbiased and actual portrayal of an event or situation. Nevertheless, in the context of the area of study, it is shown that truth may be consciously or unconsciously manipulated whenever representation occurs. . Via the satiric television series Frontline, in certain the episodes the Siege and Smaller sized Fish to Fry two contrasting photographs representing the Boer War (by) in the Sydney Morning Herald’s Excellent Weekend magazine and the poem ‘Mirror’ by Sylvia Plaith, the assertion that our access to the truth is impeded by these with energy is justified. The strategies employed to explore these tips contain filmic and dramatic devices such as characterisation , satire, irony and humour visual devices such as lighting, positioning and visual juxtaposition and poetic devices such as personification and metaphors.
Frontline acts as a comic, but deceptively insightful parody, by means of which existing affairs applications and their motto of “conveying the truth” is mocked. The show highlights the unorthodox influence these with potent assert more than society’s access to the truth. This is demonstrated by the episode the ‘Siege’ and ‘Smaller Fish to Fry’. The exaggerated immoral and unethical actions of the Frontline characters serve to highlight the accurate value, such ratings and image driven programs, hold for conveying the ‘. Each episodes employ the device of visual juxtaposition of the on-air and the ‘behind the scenes’ activities and work ethics of the team. The realistic top quality of filming in the “behind the scenes” elements of every episode serves to portray the true truth of the scenario. Therefore in itself Frontline the series also attempts to represent the truth.
The episode “The Siege”, satirises the integrity claimed by journalists. The Frontline group deliberately distorts and manipulates the “truth” in order to improve ratings throughout a Hostage Crisis. They view the occasion as “mundane”, and rather of conveying the basic yet “uninteresting” truth of the predicament, prefer to sensationalise the occasion to heighten the buzz on the story. Parody is made use of constantly to comment on the methods the media manipulate the truth. For example, Marty’s crouched pose a mere 5 kilometers from the scene whilst reporting, is intended to ‘ appear like he’s definitely in danger”, an clear sensationalism of how the media attempts to imitate actual life conditions. This example also demonstrates the manner in which representation influences meaning. The fabrication of Marty’s “dangerous” predicament lends the story a…