Frontline
The term ‘truth’ is defined as the unbiased and actual portrayal of an occasion or circumstance. However, in the context of the area of study, it is shown that truth might be consciously or unconsciously manipulated whenever representation occurs. . Through the satiric tv series Frontline, in specific the episodes the Siege and Smaller sized Fish to Fry two contrasting images representing the Boer War (by) in the Sydney Morning Herald’s Good Weekend magazine and the poem ‘Mirror’ by Sylvia Plaith, the assertion that our access to the truth is impeded by these with energy is justified. The procedures made use of to explore these tips consist of filmic and dramatic devices such as characterisation , satire, irony and humour visual devices such as lighting, positioning and visual juxtaposition and poetic devices such as personification and metaphors.
Frontline acts as a comic, but deceptively insightful parody, via which current affairs applications and their motto of “conveying the truth” is mocked. The show highlights the unorthodox influence those with potent assert more than society’s access to the truth. This is demonstrated by the episode the ‘Siege’ and ‘Smaller Fish to Fry’. The exaggerated immoral and unethical actions of the Frontline characters serve to highlight the true value, such ratings and image driven applications, hold for conveying the ‘. Both episodes employ the device of visual juxtaposition of the on-air and the ‘behind the scenes’ activities and work ethics of the team. The realistic top quality of filming in the “behind the scenes” aspects of every episode serves to portray the genuine truth of the predicament. As a result in itself Frontline the series also attempts to represent the truth.
The episode “The Siege”, satirises the integrity claimed by journalists. The Frontline team deliberately distorts and manipulates the “truth” in order to raise ratings through a Hostage Crisis. They view the event as “mundane”, and alternatively of conveying the simple yet “uninteresting” truth of the predicament, prefer to sensationalise the event to heighten the buzz on the story. Parody is made use of continuously to comment on the techniques the media manipulate the truth. For example, Marty’s crouched pose a mere 5 kilometers from the scene whilst reporting, is intended to ‘ look like he’s really in danger”, an obvious sensationalism of how the media attempts to imitate genuine life scenarios. This example also demonstrates the manner in which representation influences which means. The fabrication of Marty’s “dangerous” predicament lends the story a…